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Trinity Site TRILOGY Project

Requiem · Transfiguration · Angels

 

A Sonic Memorial and Living Offering

The Trinity Site Project is a long-form sonic memorial dedicated to the Downwinders—New Mexican families who lived through the 1945 Trinity nuclear test and whose lives, land, and lineage were forever altered. The work unfolds through a trilogy of compositions—Requiem, Transfiguration, and Angels—each exploring a different facet of collective grief, transformation, and spiritual ascent.

  • Requiem honors the lives lost and disrupted.

  • Transfiguration navigates the passage from generational trauma toward renewal.

  • Angels imagines guiding presences ushering the deceased and the grieving through layered realms of memory and release.

Through electroacoustic cello, ritual performance, and embodied storytelling, the project invites audiences into a space of acknowledgment, healing, and communion—with ancestors, with land, and with the stories carried through generations.

Wavetrails: Ceremony, Collaboration, and Downwinders Lineage

The Trinity Site trilogy premiered to an audience at WAVETRAILS 2025, a multimedia performance series in which two of the compositions—Requiem and Angels—debuted. On October 11th, just weeks before Día de los Muertos, Celloquacious (Keely), Quannumthrows (Michael Pino), and Gabriel Carrion-Gonzales gathered at WAVETRAILS in Fusion Theatre to honor the ancestors (including Michael's father, Gregorio) who witnessed the first atomic detonation on this land.

In a time when the veil felt thin, the performance became a continuation of the Trinity Site memorial:
a living offering for communities impacted—known, unknown, and too often unheard.

Meeting at Michael Pino's Family Ranch, Pino Ranch, a Downwinders ranch in the years leading up to the event, rooted our purpose deeply. On this soil, we offered dance, music, and art like sunflower seeds—absorbing harm, transforming it into beauty. Performing inside a quadrophonic sound field, surrounded by dozens of panels hosting projections, felt like both an honor and a prayer: a call for healing for the Downwinders and for our Earth.

WAVETRAILS hosted a powerful aspect of the Trinity Site project, bridging personal memory, community remembrance, and cosmic ritual into an immersive, multi-sensory experience.

Multimedia Performance: Generational Memory in Sound and Image

This twenty-minute performance is both a historical and futuristic narrative, told through Keely’s emotive electroacoustic cello compositions and through transformed archival visuals projected by Michael Pino. These images—taken by Pino’s father, Gregorio, who later died from cancer attributed to Trinity Site radiation exposure—carry a profound generational resonance.

Using MadMapper, Pino manipulates these visuals until they shift and transfigure themselves, revealing unexpected abstraction and beauty. This visual metamorphosis parallels the intention of Keely’s composition Transfiguration, which traces the movement from darkness toward light as affected communities continue to heal their families, land, and futures.

Keely and Gabriel have stayed at Pino Ranch in Carrizozo, NM, where Michael’s father lived during the Trinity detonation, performing these works on the land itself during ceremonies dedicated to healing. Keely's Melodius Ceremonia partner, Elizabeth Marie Berry (Eli del Puerto) performed a musical limpia of the family's historic jacal with Keely and adds atmospheric vocals and weaves electronics to create more dimension and textures to Keely's compositions. These offerings root the project not only in memory but in ongoing lineage—an audio-ritual communion between land, story, and sound.

A Living Memorial

The Trinity Site Project is a story that needs to be heard, seen and felt:
a collective effort to grieve, honor, transform, and reclaim. Through cello, movement, electroacoustic landscapes, archival imagery, and ceremony, the work invites audiences into a listening space where history, ancestry, and futurity converge. It is both remembrance and invocation—a call to witness, to feel, and to heal.

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On site at Historic Pino Jacal in Carrizozo, Musical Limpia ritual performed by Eliabeth and Keely, with Michael Pino as witness.

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Multimedia Pino Ranch performance (music, dance and projections) to reclaim and transform ancestral Pino home.

Requiem honors the lives lost and the continual suffering of those affected by displacement and health consequences in the communities of the Tularosa Basin of NM and beyond, as we realize that we are all Downwinders.

Requiem, was improvised (channeled) live by Keely Mackey-Gonzales (Celloquacious) hours after learning that her godson tragically died. It captures an ineffable experience in time, emoting both grief and anger.

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Transfiguration navigates the processing through generational trauma for the Downwinders, as they process the loss of their family members and displaced communities, and move toward renewal and hope, especially as recognition and compensation for those affected has been passed by legislature this year. 

Transfiguration, by Keely Mackey-Gonzales (Celloquacious) was a semifinalist for 2023 International Songwriting Competition (20,000 entries), and was a finalist for the 2023 New Mexico Music Awards in the Ambient Music Category

Angels imagines guiding presences ushering the deceased and the grieving through layered realms of memory and release. Being comforted by the community of Downwinders and their supporters, which act as real world angels.

Angels was improvised (channeled) live by Keely Mackey-Gonzales (Celloquacious) and won the 2024 New Mexico Music Awards in the Ambient Category and was a finalist in the Best Instrumental Performance Category.

The first two pieces of this headlining festival performance is from the Trinity Trilogy, dedicated to The Downwinders.

Luminous Convergence is a multidisciplinary performance by Celloquacious (Keely Mackey-Gonzales) that interweaves looping electroacoustic cello, real-time projection art, and contemporary dance/pole artistry. The work explores elemental memory, resilience, and our shared kinship with Earth and Cosmos.

Performed live with dancer Gabriel Carrion-Gonzales and visual projection mapping artist Michael Pino (Quannumthrows), the piece merges sound, movement, and imagery into a unified, immersive environment. Projection-mapped visuals blend Keely’s original slow-motion macro videography and photography with archival and NASA materials, creating a shifting visual cosmos that responds to the music.

The program includes movements from Keely’s Elemental Series—Fire: Requiem, Ether: Angels, (Requiem and Angels are from the Trinity Trilogy), Ether: I Am You, and Ether: Whispers of the Celestial—each exploring themes of remembrance, empathy, and connection beyond form.

Keely’s work has received multiple New Mexico Music Awards, two semifinalist honors in the International Songwriting Competition, and international presentation at the New York City Electroacoustic Music Festival. Luminous Convergence and Trinity Trilogy is designed for festivals that champion multimedia, interdisciplinary, or immersive, performance.

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